SPIRITED AND INTELLIGENT, MORAYO grows up surrounded by school friends and family in busy, modern-day Ibadan. An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her. Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to protect herself and her sister from a legacy of silence shared by the women in her family. Only her Aunt Morenike provides Morayo with a safe home and a sense of female community that sustains her as she develops into a young woman in bustling, politically charged, often violent Nigeria. BOOK AVAILABLE JANUARY 29, 2013 - PRE-ORDER NOW.
Nelson Mandela's Favorite African Folktales is a cause for celebration, landmark work that gathers in one volume many of Africa's most cherished folktales. Mandela, a Nobel Laureate for Peace, has selected these thirty-two tales with the specific hope that Africa's oldest stories, as well as a few new ones, be perpetuated by future generations and be appreciated by children throughout the world. In these "beloved stories, morsels rich with the gritty essence of Africa," we meet, among many others, a Kenyan lion named Simba, a snake with seven heads and a trickster from Zulu folklore; we hear the voices of the scheming hyena and learn from a Khoi fable how animals acquired their tails and horns. Several creation myths tell us how the land, its animals, and its people all came into existence under a punishing sun or against the backdrop of a spectacularly beautiful mountain landscape. Whether warning children about the dangers of disobedience or demonstrating that the underdog can--and often does--win, these stories, through their depiction of wise animals as well as evil monsters, are "universal in their portrayal of humanity, beasts, and the mystical." What is particularly exciting about this book is that many of the stories, in their oral form, are almost as old as Africa itself. Most of them were, in fact, first told in various African tongues around evening fires in centuries past--tales from, for example, the San and the Khoi, the original hunter-gatherers and livestock herders of Southern Africa. Translated into English and other European languages chiefly in the nineteenth and twentieth centuries from their original languages--be they Karanga, Nguni, Xhosa, or one of many others--these folktales are a testament to the craft of storytelling and the power of myth. Accompanied by dozens of enchanting, specially commissioned color paintings, Nelson Mandela's Favorite African Folktales--culled from African countries as far-flung as Morocco, Nigeria, Uganda, and Kenya--presents a fountain of precious knowledge that will be treasured by children, as well as adults, for years to come. (Ages 8-11)
In her most intimate and seamlessly crafted work to date, Adichie turns her penetrating eye on not only Nigeria but America, in twelve dazzling stories that explore the ties that bind men and women, parents and children, Africa and the United States.
The 2018 Africa Book Club anthology is an exciting collection of short stories that span different themes – from cheating spouses and domestic violence to friendship, politics, and parenthood. Told through the voices of some of Africa’s most promising writers, these stories provide a contemporary and illuminating picture of the continent.
Throughout the centuries, Africa has concealed multiple secrets, waylaying and confounding the unwary. Today, as economists, politicians, experts and the cognoscenti from within and outside the continent seek to "fix" Africa and its perceived problems, the need to understand its mysteries has never been greater. Africa's future tells the tale of Africa's economic evolution, providing unique prisms through which to view the continent's panoramic story - ultimately one of triumph over the influences of nature and over multiple political tragedies. It explains how Africa in effect went backwards for one and a half thousand years, from the Roman Empire to 1500 CE. Only in more recent times has Africa gradually begun to evolve and grow, to the point at which its modern and archaic economies uneasily coexist today. Modern Africa has developed diverse economic pathways to betterment - yet survivalist economies still litter the landscape. The continent's paradox of "subsistence with many faces" is manifested in its tiny middle class, its growing numbers of rich, and the ever-greater numbers of poor expected in the future.
Emerging Africa - How the Global Economy's 'Last Frontier' Can Prosper and Matter (by Kingsley Chiedu Moghalu, Ph.D)
In this thoughtful and elegantly written book, Kingsley Chiedu Moghalu explodes the myths and conventional wisdoms about Africa's quest for economic growth in a globalised world with a paradigm-shift perspective on the continent's future. Masterfully deploying arguments grounded in philosophy, economics and strategy across a range of subjects; from capitalism to transformation agendas, finance to foreign investment, and from innovation and human capital to world trade, he demonstrates persuasively how Africa's progress in the 21st century will require nothing short of the reinvention of the African mind.
At the turn of the century, as the European powers were carving up Africa, King Leopold II of Belgium carried out a brutal plundering of the territory surrounding the Congo river. Ultimately slashing the area's population by ten million, he still managed to shrewdly cultivate his reputation as a great humanitarian. A tale far richer than any novelist could invent, King Leopold's Ghost is the horrifying account of a megalomaniac of monstrous proportions. It is also the deeply moving portrait of those who defied Leopold: African rebel leaders who fought against hopeless odds and a brave handful of missionaries, travelers, and young idealists who went to Africa for work or adventure but unexpectedly found themselves witnesses to a halocaust and participants in the twentieth century's first great human rights movement.
Kweku Sai is dead. A renowned surgeon and failed husband, he succumbs suddenly at dawn outside his home in suburban Accra. The news of Kweku's death sends a ripple around the world, bringing together the family he abandoned years before. "Ghana Must Go" is their story. Electric, exhilarating, beautifully crafted, Ghana Must Go is a testament to the transformative power of unconditional love, from a debut novelist of extraordinary talent. Moving with great elegance through time and place, "Ghana Must Go "charts the Sais' circuitous journey to one another. In the wake of Kweku's death, his children gather in Ghana at their enigmatic mother's new home. The eldest son and his wife; the mysterious, beautiful twins; the baby sister, now a young woman: each carries secrets of his own. What is revealed in their coming together is the story of how they came apart: the hearts broken, the lies told, the crimes committed in the name of love. Splintered, alone, each navigates his pain, believing that what has been lost can never be recovered--until, in Ghana, a new way forward, a new family, begins to emerge. "Ghana Must Go "is at once a portrait of a modern family, and an exploration of the importance of where we come from to who we are. In a sweeping narrative that takes us from Accra to Lagos to London to New York, "Ghana Must Go" teaches that the truths we speak can heal the wounds we hide.
This powerful and widely acclaimed autobiography of Magona's early years in South Africa gives an account of her eventful first 23 years--a candid story of triumph and endurance in the face of hardships relentlessly reinforced by the apartheid system.
This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived. In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he'd been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.
Brimming with rich, electrifying tales of the precious dye and its ancient heritage, "Indigo "is also the story of a personal quest: Catherine McKinley is the descendant of a clan of Scots who wore indigo tartan; Jewish "rag traders"; a Massachusetts textile factory owner; and African slaves--her ancestors were traded along the same Saharan routes as indigo, where a length of blue cotton could purchase human life. McKinley's journey in search of beauty and her own history leads her to the West African women who dye, trade, and wear indigo--women who unwittingly teach her that buried deep in the folds of their cloths is all of destiny and the human story.
In the long-anticipated novel from the author of the critically acclaimed Beasts of No Nation, a revelation shared between two privileged teenagers from very different backgrounds sets off a chain of events with devastating consequences.
Spirited and fiercely independent Abigail is brought as a teenager to London from Nigeria by relatives who attempt to force her into prostitution. She flees, struggling to find herself in the shadow of a strong but dead mother. In spare yet haunting and lyrical prose, Abani brings to life a young woman who lives with a strength and inner light that will enlighten and uplift the reader.
This radical collection of short stories is a double award-winning book aimed at debunking the myth about African women as impoverished victims. The stories deal with challenging themes representing some of the more complex love stories ever published from Afirca, ranging from labour pains to burials, teenagers to octogenarians, race fraught and same-sex relationships, the human heart is out there, bold, bleeding and occasionally triumphant. Crafted by a stellar cast of authors including El Saadawi, Adichie, Atta, Baingana, Oyeyemi, Manyinka, Aboulela, wa Goro, Badoe, Magona, Tadjo, Krog, Ogundipe, de Nyeko et al. A much welcomed addition to African literature.
Why, twenty years into the crisis, are democratic governments performing so poorly in tackling AIDS in Africa? De Waal argues that existing approaches are driven by interests and frameworks that fail to engage with African societies' resilience and creativity. Already, African communities have confounded some of the worst predictions of disaster. If adequately supported, they will find ways of sustaining development and democracy in the midst of HIV/AIDS.
Namuli, the lead character of this novel, makes her way from an isolated Ugandan village to international recognition. She encounters obstacles, prejudices and uncertainties about her own identity as a student, professional woman and mother. She experiences the enigmas of love, relationships and loss. The novel is based on a true story and aims to give readers an authentic picture of what it was like to live in Uganda from the 1950s through to the 1970s.
Bafana Kuzwayo is a young man with a weight on his shoulders. After flunking his law studies at the University of Cape Town, he returns home to Soweto, where he must decide how to break the news to his family. But before he can confess, he is greeted as a hero by family and friends. His uncle calls him "Advo," short for Advocate, and his mother wastes no time recruiting him to solve their legal problems. In a community that thrives on imagined realities, Bafana decides that it's easiest to create a lie that allows him to put off the truth indefinitely. Soon he's in business with Yomi, a Nigerian friend who promises to help him solve all his problems by purchasing a fake graduation document. One lie leads to another as Bafana navigates through a world that readers will find both funny and grim.
Mine Boy has remained a central influence in South African fiction for over forty years. When Xuma moves to Johannesburg he is a naive country boy, but the impact of harsh city life awakens him to the new ways and values of a radically different world. His vision of a 'man without color', a raceless society, is shattered by the realities of his underprivileged existence. First published in 1946, this novel was one of the first books to expose universally the condition of black South Africans under a white regime. Forceful but restrained images of discrimination in the gold mines and appalling housing contrast with Xuma's simple, humanitarian act of defiance.