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On the plains of East Africa, a cheetah named Aesha raises her cubs, working hard to feed them and protect them from harm. At night she sings songs to teach them about the world around them and what it means to be a cheetah. Every year, with each new family, she names the biggest cub Kubwa (Big), the smallest one Ndogo (Small) and the fastest one Epesi (Swift). But every now and then a cub comes along who wants to know everything about everything. Aesha names that cub Mjuvi (Cheeky) and does her best to keep it out of trouble. This year, it seems, that is going to be especially hard!

The more Chike saw the ferry-boats the more he wanted to make the trip to Asaba. But where would he get the money? He did not know. Still, he hoped. Eleven-year-old Chike longs to cross the Niger River to the city of Asaba, but he doesn’t have the sixpence he needs to pay for the ferry ride. With the help of his friend S.M.O.G., he embarks on a series of adventures to help him get there. Along the way, he is exposed to a range of new experiences that are both thrilling and terrifying, from eating his first skewer of suya under the shade of a mango tree, to visiting the village magician who promises to double the money in his pocket. Once he finally makes it across the river, Chike realizes that life on the other side is far different from his expectations, and he must find the courage within him to make it home. Chike and the River is a magical tale of boundaries, bravery, and growth, by Chinua Achebe, one of the world’s most beloved and admired storytellers.

In "Grandma Comes to Stay, " three-year-old Stephanie helps her mother tidy up, go shopping at the market, and cook in preparation for Grandma's stay. When she arrives, Grandma gives Stephanie a box of pencils and reads her favorite book. The next day she shows Stephanie how to tie a head-dress, and Stephanie shows Grandma how to kick a ball, play with dolls, and bang a drum. At bedtime Grandma tells her a wonderful story, and when Grandma leaves the next morning Stephanie says, "Come back soon, Grandma!" Written and photographed by an award-winning author, this is a uniquely heartwarming book to share with all young children. (Ages 4-7)

A young man's quest to reconcile his deafness in an unforgiving world leads to a remarkable sojourn in a remote African village that pulsates with beauty and violence These are hearing aids. They take the sounds of the world and amplify them." Josh Swiller recited this speech to himself on the day he arrived in Mununga, a dusty village on the shores of Lake Mweru. Deaf since a young age, Swiller spent his formative years in frustrated limbo on the sidelines of the hearing world, encouraged by his family to use lipreading and the strident approximations of hearing aids to blend in. It didn't work. So he decided to ditch the well-trodden path after college, setting out to find a place so far removed that his deafness would become irrelevant. That place turned out to be Zambia, where Swiller worked as a Peace Corps volunteer for two years. There he would encounter a world where violence, disease, and poverty were the mundane facts of life. But despite the culture shock, Swiller finally commanded attention--everyone always listened carefully to the white man, even if they didn't always follow his instruction. Spending his days working in the health clinic with Augustine Jere, a chubby, world-weary chess aficionado and a steadfast friend, Swiller had finally found, he believed, a place where his deafness didn't interfere, a place he could call home. Until, that is, a nightmarish incident blasted away his newfound convictions. At once a poignant account of friendship through adversity, a hilarious comedy of errors, and a gripping narrative of escalating violence, The Unheard is an unforgettable story from a noteworthy new talent.

Renowned worldwide, as novelist and dramatist, Ngugi wa Thiongo's contributions to the body of critical writing on African literature, politics and society have been highly significant. His best known critical work is Decolonising the Mind, which since publication in 1986 has profoundly influenced other writers, critics, scholars and students. These latest essays reflect Ngugi's continuing interests and enthusiasms. His choice of writers is original. He makes us look again at their novels to address his lifelong concerns with the ways to independence, the meanings of colonialism and the takeover by neo-colonialism, and the functions of literature in political as well as literary terms. They will appeal not only to his international band of supporters. They will also introduce his views to young people discovering African and Caribbean literature.

After many years of study in Europe, the young narrator of Season of Migration to the North returns to his village along the Nile in the Sudan, eager to make a contribution to the new postcolonial life of his country. Back home, he discovers a stranger among the familiar faces of childhood—the enigmatic Mustafa Sa’eed. Mustafa takes the young man into his confidence, telling him the story of his own years in London in the early part of the twentieth century, of his brilliant career as an economist, and of the series of fraught and deadly relationships with European women that led to a terrible public reckoning and his return to his native land. But what is the meaning of Mustafa’s shocking confession? Mustafa disappears without explanation, leaving the young man —whom he has asked to look after his wife—in an unsettled and violent no-man’s-land between Europe and Africa, tradition and innovation, holiness and defilement, and man and woman, from which no one will escape unaltered or unharmed. One of the pinnacles of modern Arabic literature, Season of Migration to the North is a work of scorching honesty and incandescent lyricism.

In a thoughtful, albeit direct, manner Flawed Attitude examines several beliefs and behaviors embraced by the black community that, inevitably, hinder the attainment of equality. 

The first collection of short stories from one of Kenya's foremost woman novelists. Twelve stories bring alive the author's feeling for the macabre and fantastic - reminiscent of the tragedy in The Promised Land.

Bafana Kuzwayo is a young man with a weight on his shoulders. After flunking his law studies at the University of Cape Town, he returns home to Soweto, where he must decide how to break the news to his family. But before he can confess, he is greeted as a hero by family and friends. His uncle calls him "Advo," short for Advocate, and his mother wastes no time recruiting him to solve their legal problems. In a community that thrives on imagined realities, Bafana decides that it's easiest to create a lie that allows him to put off the truth indefinitely. Soon he's in business with Yomi, a Nigerian friend who promises to help him solve all his problems by purchasing a fake graduation document. One lie leads to another as Bafana navigates through a world that readers will find both funny and grim.

A reissue of this proclaimed novel, and Zimbabwean classic, that won both the Zimbabwe Book Publishers' Association first prize for literature, and the Noma Award for Publishing in Africa in 1989. The story is the sensitive evocation of Marita, a farm- worker, whose only son joined the freedom fighters in Zimbabwe's war of liberation. The poetic language is rich in Shona idiom.

From a breathtaking new voice, a novel about a splintered family in Kenya—a story of power and deceit, unrequited love, survival and sacrifice. Odidi Oganda, running for his life, is gunned down in the streets of Nairobi. His grief-stricken sister, Ajany, just returned from Brazil, and their father bring his body back to their crumbling home in the Kenyan drylands, seeking some comfort and peace. But the murder has stirred memories long left untouched and unleashed a series of unexpected events: Odidi and Ajany’s mercurial mother flees in a fit of rage; a young Englishman arrives at the Ogandas’ house, seeking his missing father; a hardened policeman who has borne witness to unspeakable acts reopens a cold case; and an all-seeing Trader with a murky identity plots an overdue revenge. In scenes stretching from the violent upheaval of contemporary Kenya back through a shocking political assassination in 1969 and the Mau Mau uprisings against British colonial rule in the 1950s, we come to learn the secrets held by this parched landscape, buried deep within the shared past of the family and of a conflicted nation. Here is a spellbinding novel about a brother and sister who have lost their way; about how myths come to pass, history is written, and war stains us forever.

It is never clear to Elizabeth whether the mission school principal's cruel revelation of her origins is at the bottom of her mental breakdown. She has left South Africa with her son and is living in the village of Motabeng, the place of sand, in Botswana where there are no street lights at night.