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Deadly Harvest in Michael Stanley’s beloved Detective Kubu series tracks a series of murders and a mysterious witch doctor whose nefarious potions might hold the key to a web of missing persons. When young girls start to go missing, Samantha, a new detective on the Botswana police force suspects that muti, a traditional African medicine, is the reason. She and Detective David “Kubu” Bengu race to stop a serial killer, all as the father of one of the victims threatens to take matters into his own hands. Weaving together a thrilling mystery with a fascinating look at modern-day Africa, Deadly Harvest is filled with elements suspense and plot twists that will keep you captivated until the very end.

Libya, 1979. Nine-year-old Suleiman’s days are circumscribed by the narrow rituals of childhood: outings to the ruins surrounding Tripoli, games with friends played under the burning sun, exotic gifts from his father’s constant business trips abroad. But his nights have come to revolve around his mother’s increasingly disturbing bedside stories full of old family bitterness. And then one day Suleiman sees his father across the square of a busy marketplace, his face wrapped in a pair of dark sunglasses. Wasn’t he supposed to be away on business yet again? Why is he going into that strange building with the green shutters? Why did he lie? Suleiman is soon caught up in a world he cannot hope to understand—where the sound of the telephone ringing becomes a portent of grave danger; where his mother frantically burns his father’s cherished books; where a stranger full of sinister questions sits outside in a parked car all day; where his best friend’s father can disappear overnight, next to be seen publicly interrogated on state television. In the Country of Men is a stunning depiction of a child confronted with the private fallout of a public nightmare. But above all, it is a debut of rare insight and literary grace.

"My First Coup d'Etat"chronicles the coming-of-age of John Dramani Mahama in Ghana during the dismal post-independence "lost decades" of Africa. He was seven years old when rumors of a coup reached his boarding school in Accra. His father, a minister of state, was imprisoned for more than a year."My First Coup d'Etat "offers an intimate look at the country that has long been considered Africa's success story. This is a one-of-a-kind book: Mahama's is a rare literary voice from a political leader, and his personal stories work on many levels--as history, as cultural and political analysis, as fables, and, of course, as the memoir of a young man who unbeknownstto him or anything else, would grow up to be president of his nation. Though nonfiction, these are stories that rise above their specific settings and transport the reader into a world all their own, one that evokes the universal human emotions of love, fear, faith, despair, loss, longing, and hope despite all else.

The “Where’s WANDA?” series is the “Doc McStuffins” of nutrition meets “Dora the Explorer” for Africa. The empowering series engages, empowers and informs young readers to become healthy eaters and food leaders in their community. Curious and caring Little WANDA leads young readers on a food adventure across Africa. Guided by her father's wisdom, Little WANDA sets out on a journey from America to Africa. Using her magic apron, she travels to Nigeria in search for Nana's cure with the help of Big WANDA. Join her on the journey today and share your WANDA story!

Elated after finishing high school exams, Edgar and his longtime friends are excited about their future and looking forward to their long vacation. Unbeknownst to them fate has other plans. Edgar's life turns into a living nightmare when, on his way home, his bus is stopped by the LRA rebels in northern Uganda. Along with other passengers, most of whom are students, Edgar is abducted and taken to the rebel headquarters deep in the mountains of southern Sudan. Things turn even worse when, instead of being forced to become a soldier,he is sold into slavery. His life is changed forever. Edgar's friends learn of his fate and embark on a very difficult and unpredictable rescue mission. With the help of a fellow captive, Edgar attempts a daring and dangerous escape, knowing that his re-capture would end in a fate worse than death. But will he succeed? The dramatic finale awaits you as you follow Edgar while he is being chased down by warlords whose mission is to return him to the slave owners and collect a large reward. The story gives readers an insight into the pain and suffering that Edgar endures at the hands of his captors; and his unshakable faith and hope of eventually being free. Through Edgar's story, the reader will come to understand the resilience that human beings can exhibit under extreme circumstances, the power of faith and the meaning of true friendship. Looking collectively at the people who are involved in Edgar's captivity and the ones who assist him, we are reminded that people are capable of good or evil, regardless of color or creed.

The trade in oil, gas, gems, metals and rare earth minerals wreaks havoc in Africa. During the years when Brazil, India, China and the other “emerging markets” have transformed their economies, Africa’s resource states remained tethered to the bottom of the industrial supply chain. While Africa accounts for about 30 per cent of the world’s reserves of hydrocarbons and minerals and 14 per cent of the world’s population, its share of global manufacturing stood in 2011 exactly where it stood in 2000: at 1 percent. In his first book, The Looting Machine, Tom Burgis exposes the truth about the African development miracle: for the resource states, it's a mirage. The oil, copper, diamonds, gold and coltan deposits attract a global network of traders, bankers, corporate extractors and investors who combine with venal political cabals to loot the states' value. And the vagaries of resource-dependent economies could pitch Africa’s new middle class back into destitution just as quickly as they climbed out of it. The ground beneath their feet is as precarious as a Congolese mine shaft; their prosperity could spill away like crude from a busted pipeline. This catastrophic social disintegration is not merely a continuation of Africa’s past as a colonial victim. The looting now is accelerating as never before. As global demand for Africa’s resources rises, a handful of Africans are becoming legitimately rich but the vast majority, like the continent as a whole, is being fleeced. Outsiders tend to think of Africa as a great drain of philanthropy. But look more closely at the resource industry and the relationship between Africa and the rest of the world looks rather different. In 2010, fuel and mineral exports from Africa were worth $333 billion, more than seven times the value of the aid that went in the opposite direction. But who received the money? For every Frenchwoman who dies in childbirth, 100 die in Niger alone, the former French colony whose uranium fuels France’s nuclear reactors. In petro-states like Angola three-quarters of government revenue comes from oil. The government is not funded by the people, and as result it is not beholden to them. A score of African countries whose economies depend on resources are rentier states; their people are largely serfs. The resource curse is not merely some unfortunate economic phenomenon, the product of an intangible force. What is happening in Africa’s resource states is systematic looting. Like its victims, its beneficiaries have names.

The Slave Girl follows the fortunes of Ogbanje Ojebeta, a Nigerian woman who is sold into slavery in her own land after disease and tragedy leave her orphaned as a child. In her fellow slaves, she finds a surrogate family that clings together under the unbending will of their master. As Ogbanje Ojebeta becomes a woman and discovers her need for home and family, and for freedom and identity, she realizes that she must ultimately choose her own destiny.

At Cape Three Points on the beautiful Ghanaian coast, a canoe washes up at an oil rig site. The two bodies in the canoe--who turn out to be a prominent, wealthy, middle-aged married couple--have obviously been murdered; the way Mr. Smith-Aidoo has been gruesomely decapitated suggests the killer was trying to send a specific message--but what, and to whom, is a mystery. The Smith-Aidoos, pillars in their community, are mourned by everyone, but especially by their niece Sapphire, a successful pediatric surgeon in Ghana's capital, Accra. She is not happy that months have passed since the murder and the rural police have made no headway. When the Ghanaian federal police finally agree to get involved, Detective Inspector Darko Dawson of the Accra police force is sent out to Cape Three Points to investigate. Pretty as the coast is, he is not happy to be sent away from his wife and two sons, the younger of whom is recovering from a heart operation. And the more he learns about the case, the more convoluted and dangerous it becomes. Three Points has long been inhabited by tribal villages of subsistence fishers, but real estate entrepreneurs and wealthy oil companies have been trying to bribe the tribes to move out. Dawson roots out a host of motives for murder, ranging from personal vendettas to corporate conspiracies.

Etabo dreams of being a camel racer. One day he might even beat his older brother when they race. But with the price of water rising, Etabo's father must sell the camels, and his siblings must find work. What will Etabo do now? From acclaimed Kenyan filmmaker Wanuri Kahiu and Italian illustrator Manuela Adreani, this story of love and hope centers on the inspiring Turkana people of northwest Kenya. Told with gentleness and humor, it is a universal story about keeping one's dreams alive.

Shortlisted for the CNA and Noma Awards In "Ways of Dying," Zakes Mda's acclaimed first novel, Toloki is a "professional mourner" in a vast and violent city of the new South Africa. Day after day he attends funerals in the townships, dressed with dignity in a threadbare suit, cape, and battered top hat, to comfort the grieving families of the victims of the city's crime, racial hatred, and crippling poverty. At a Christmas day funeral for a young boy Toloki is reunited with Noria, a woman from his village. Together they help each other to heal the past, and as their story interweaves with those of their acquaintances this elegant short novel provides a magical and painful picture of South Africa today. "Ways of Dying "was awarded South Africa's prestigious M-Net Book Prize, awarded by the TV channel M-Net to books written in one of South Africa's official languages, and was shortlisted for the Central News Agency (CNA) Award and the Noma Award, an Africa-wide prize founded by Shoichi Noma, onetime president of Kodansha International.

"Palace Walk "is the first novel in Nobel Prize-winner Naguib Mahfouz's magnificent Cairo Trilogy, an epic family saga of colonial Egypt that is considered his masterwork. The novels of the Cairo Trilogy trace three generations of the family of tyrannical patriarch al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. "Palace Walk" introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons--the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. The family's trials mirror those of their turbulent country during the years spanning the two world wars, as change comes to a society that has resisted it for centuries.

Blackbird is a captivating story of a world in transition. Through a quartet of characters, the admirable Maya and her devoted husband Omoniyi, the formidable Nduesoh and her philandering husband Edward, the novel depicts how their connected world progresses towards crisis and tragedy. Blackbird is a provocative and evocative novel from start to finish. It lays bare all the fatal flaws of humanity — love and jealousy, need and possessiveness, care and self-preservation — and does so through a style that is finely judged and accessible. Building on its author’s previous ground-breaking novels, this latest follows his interest in how traditional beliefs and personal experiences clash to force explosive changes. Blackbird is an important modern novel by a contemporary Nigerian writer.