As startling and powerful as when first published more than two decades ago, André Brink's classic novel, A Dry White Season, is an unflinching and unforgettable look at racial intolerance, the human condition, and the heavy price of morality. Ben Du Toit is a white schoolteacher in suburban Johannesburg in a dark time of intolerance and state-sanctioned apartheid. A simple, apolitical man, he believes in the essential fairness of the South African government and its policies—until the sudden arrest and subsequent "suicide" of a black janitor from Du Toit's school. Haunted by new questions and desperate to believe that the man's death was a tragic accident, Du Toit undertakes an investigation into the terrible affair—a quest for the truth that will have devastating consequences for the teacher and his family, as it draws him into a lethal morass of lies, corruption, and murder.
Written with stylistic brilliance and based in the author's realities, this raw and extraordinary debut explores the metaphysics of identity and being, plunging the reader into the mysteries of self. Unsettling, heart-wrenching, dark, and powerful, Freshwater dazzles with ferocious energy and serpentine grace, heralding the arrival of a fierce new literary voice.
Written by a distinguished journalist and longtime associate of Desmond Tutu, this definitive biography captures the flavor and details of Tutu’s life while shedding light on the struggles and triumphs of modern society. Drawing on personal experiences with Tutu, as well as unprecedented access to his papers, this account explores how Tutu transformed from a barefoot schoolboy in a deprived black township into an international symbol of the democratic spirit and religious faith. During face-to-face confrontations with South African leaders and violent protests in the streets, Tutu maintained his faith in the power of peace, and when appointed to head the Truth and Reconciliation Commission, Tutu seized upon it as an instrument of healing and redemption. Through his moral example and his lyrical command of language, he has successfully appealed to the conscience of the world and brought a whole new meaning to the phrase "human rights."
A Daughter's Legacy is the story of Kedibone's journey from childhood to parenthood, from the dusty streets of her home village to the modern worlds of university and working life. Determination and resilience battle with fear and insecurity in Kedibone's searing engagement with relationships and personal growth. This novel is a bold and necessary statement that exposes the taboos and abuse that a male-dominated culture allows, if not engenders. It breaks the silence and connivance in a way that has never been done before.
From Chinua Achebe, father of modern African literature, comes a vivid fable about power and freedom -- In the beginning, all the animals lived as friends. Their king, the leopard, was strong but gentle and wise. Only Dog had sharp teeth, and only he scoffed at the other animals' plan to build a common shelter for resting out of the rain. But when Dog is ? ooded out of his own cave, he attacks the leopard and takes over as king. And it is then, after visiting the blacksmith's forge and knocking on Thunder's door, that the angry leopard returns to regain his throne by the menace of his own threatening new claws. In a riveting fable for young readers about the potency and dangers of power taken by force, Nigerian writer Chinua Achebe, author of THINGS FALL APART, evokes themes of liberation and justice that echo his seminal novels about post-colonial Africa. Glowing with vibrant color, Mary GrandPre's expressive and action filled paintings bring this unforgettable tale to dramatic life. (Ages 6-9)
With her award-winning debut novel, Purple Hibiscus, Chimamanda Ngozi Adichie was heralded by theWashington Post Book Worldas the "21st century daughter" of Chinua Achebe. Now, in her masterly, haunting new novel, she recreates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in Nigeria during the 1960s.
A "beautifully written"* (New York Times Book Review) novel of redemption by a prize-winning international literary star. From the acclaimed author of The Beautiful Things that Heaven Bears comes a heartbreaking literary masterwork about love, family, and the power of imagination. Following the death of his father Yosef, Jonas Woldemariam feels compelled to make sense of the volatile generational and cultural ties that have forged him. Leaving behind his marriage and job in New York, he sets out to retrace his mother and father's honeymoon as young Ethiopian immigrants and weave together a family history that will take him from the war-torn country of his parents' youth to a brighter vision of his life in America today. In so doing, he crafts a story- real or invented-that holds the possibility of reconciliation and redemption.
From one of "Granta"'s Best of Young British Novelists, a stunning novel illuminating Somalia's tragic civil war. It is 1987 and Hargeisa waits. Whispers of revolution travel on the dry winds, but still the dictatorship remains secure. Soon, through the eyes of three women, we will see Somalia fall. Nine-year-old Deqo has left the vast refugee camp where she was born, lured to the city by the promise of her first pair of shoes. Kawsar, a solitary widow, is trapped in her little house with its garden clawed from the desert, confined to her bed after a savage beating in the local police station. Filsan, a young female soldier, has moved from Mogadishu to suppress the rebellion growing in the north. As the country is unraveled by a civil war that will shock the world, the fates of these three women are twisted irrevocably together. Nadifa Mohamed was born in Hargeisa and was exiled before the outbreak of war. In "The Orchard of Lost Souls," she returns to Hargeisa in her imagination. Intimate, frank, brimming with beauty and fierce love, this novel is an unforgettable account of ordinary lives lived in extraordinary times.
The Granta Book of the African Short Story introduces a group of African writers described by its editor, Helon Habila, as 'the post-nationalist generation'. Presenting a diverse and dazzling collection from all over the continent - from Morocco to Zimbabwe, Uganda to Kenya - Habila has focused on younger, newer writers, contrasted with some of their older, more established peers, to give a fascinating picture of a new and more liberated Africa. Disdaining the narrowly nationalist and political preoccupations of previous generations, these writers are characterized by their engagement with the wider world and the opportunities offered by the internet, the end of apartheid, the end of civil wars and dictatorships, and the possibilities of free movement around the world. Many of them live outside Africa. Their work is inspired by travel and exile. They are liberated, global and expansive. As Dambudzo Marechera wrote: 'If you're a writer for a specific nation or specific race, then f*** you." These are the stories of a new Africa, punchy, self-confident and defiant. Includes stories by: Rachida el-Charni; Henrietta Rose-Innes; George Makana Clark; Ivan Vladislavic; Mansoura Ez-Eldin; Fatou Diome; Aminatta Forna; Manuel Rui; Patrice Nganang; Leila Aboulela; Zoe Wicomb; Alaa Al Aswany; Doreen Baingana; E.C. Osondu
At Cape Three Points on the beautiful Ghanaian coast, a canoe washes up at an oil rig site. The two bodies in the canoe--who turn out to be a prominent, wealthy, middle-aged married couple--have obviously been murdered; the way Mr. Smith-Aidoo has been gruesomely decapitated suggests the killer was trying to send a specific message--but what, and to whom, is a mystery. The Smith-Aidoos, pillars in their community, are mourned by everyone, but especially by their niece Sapphire, a successful pediatric surgeon in Ghana's capital, Accra. She is not happy that months have passed since the murder and the rural police have made no headway. When the Ghanaian federal police finally agree to get involved, Detective Inspector Darko Dawson of the Accra police force is sent out to Cape Three Points to investigate. Pretty as the coast is, he is not happy to be sent away from his wife and two sons, the younger of whom is recovering from a heart operation. And the more he learns about the case, the more convoluted and dangerous it becomes. Three Points has long been inhabited by tribal villages of subsistence fishers, but real estate entrepreneurs and wealthy oil companies have been trying to bribe the tribes to move out. Dawson roots out a host of motives for murder, ranging from personal vendettas to corporate conspiracies.
Brimming with rich, electrifying tales of the precious dye and its ancient heritage, "Indigo "is also the story of a personal quest: Catherine McKinley is the descendant of a clan of Scots who wore indigo tartan; Jewish "rag traders"; a Massachusetts textile factory owner; and African slaves--her ancestors were traded along the same Saharan routes as indigo, where a length of blue cotton could purchase human life. McKinley's journey in search of beauty and her own history leads her to the West African women who dye, trade, and wear indigo--women who unwittingly teach her that buried deep in the folds of their cloths is all of destiny and the human story.
Akimbo is excited to have his cousin, Kosi, visit him on the game reserve where he lives, . and when a visiting scientist invites the boys to join her when she studies a pack of baboons, they can't wait to assist her in the bush. The baboons they find are fun to observe, but when a black leopard threatens the pack--and the scientist--Akimbo and Kosi are reminded that danger is ever present in the African bush. Alexander McCall Smith takes young readers on a safari to his beloved Africa in this perfect first chapter book, beautifully brought to life with illustrations by LeUyen Pham. (recommended for ages 7 to 9)
Hailed as "a monumental history . . . more exciting than any novel" (NRC Handelsblad),David van Reybrouck’s rich and gripping epic, in the tradition of Robert Hughes' The Fatal Shore, tells the extraordinary story of one of the world's most devastated countries: the Democratic Republic of Congo. Epic in scope yet eminently readable, penetrating and deeply moving, David van Reybrouck's Congo: The Epic History of a People traces the fate of one of the world's most critical, failed nation-states, second only to war-torn Somalia: the Democratic Republic of Congo. Van Reybrouck takes us through several hundred years of history, bringing some of the most dramatic episodes in Congolese history. Here are the people and events that have impinged the Congo's development—from the slave trade to the ivory and rubber booms; from the arrival of Henry Morton Stanley to the tragic regime of King Leopold II; from global indignation to Belgian colonialism; from the struggle for independence to Mobutu's brutal rule; and from the world famous Rumble in the Jungle to the civil war over natural resources that began in 1996 and still rages today. Van Reybrouck interweaves his own family's history with the voices of a diverse range of individuals—charismatic dictators, feuding warlords, child-soldiers, the elderly, female merchant smugglers, and many in the African diaspora of Europe and China—to offer a deeply humane approach to political history, focusing squarely on the Congolese perspective and returning a nation's history to its people.
It is just after nine o'clock in the morning. Gidza will die in exactly forty-three minutes and thirteen seconds. 'Rotten Row' is the Criminal Division of Harare, and the courts and the unfortunates who pass through them are the subjects of this mesmerising collection of stories. In these portraits of lives aching for meaning and redemption, Petina Gappah crosses the barriers of class, race, gender and sexual politics in contemporary Zimbabwe, to explore the causes and effects of crime and the nature of justice.
"From the legendary author of "Things Fall Apart" comes a longawaited memoir about coming of age with a fragile new nation, then watching it torn asunder in a tragic civil war"
The defining experience of Chinua Achebe's life was the Nigerian civil war, also known as the Biafran War, of 1967-1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe's people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war's full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa's most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.
Achebe masterfully relates his experience, bothas he lived it and how he has come to understand it. He begins his story with Nigeria's birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country's promise, which turned to horror when the hot winds of hatred began to stir. To read "There Was a Country" is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers--they should speak for their history, their beliefs, and their people.
Marrying history and memoir, poetry and prose, "There Was a Country "is a distillation of vivid firsthand observation and forty years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe's place as one of the most vital literary and moral voices of our age.
A mesmerizing, indelible coming-of-age story about a girl in Boston's tightly-knit Ethiopian community who falls under the spell of a charismatic hustler out to change the world
Nelson Mandela: By Himself is the definitive book of quotations from one of the great leaders of our time. This collection - gathered from privileged authorised access to Mandela's vast personal archive of private papers, speeches, correspondence and audio recordings - features nearly 2,000 quotations spanning over 60 years, many previously unpublished. Mandela's inspirational quotations are organised into over 300 categories for easy reference, including such aspects as what defines greatness in 'Character', 'Courage' and 'Optimism', while we learn from the great man the essence of democracy, freedom and struggle in the categories 'Democracy', 'History', 'Racism', 'Reconciliation' and 'Unity'. Nelson Mandela: By Himself is the first, and only, authorised and authenticated collection of quotations by one of the world's most admired individuals.
A deeply moving debut novel set amid the perilous world of Nigerian email scams, I Do Not Come to You by Chance tells the story of one young man and the family who loves him. Being the opera of the family, Kingsley Ibe is entitled to certain privileges--a piece of meat in his egusi soup, a party to celebrate his graduation from university. As first son, he has responsibilities, too. But times are bad in Nigeria, and life is hard. Unable to find work, Kingsley cannot take on the duty of training his younger siblings, nor can he provide his parents with financial peace in their retirement. And then there is Ola. Dear, sweet Ola, the sugar in Kingsley's tea. It does not seem to matter that he loves her deeply; he cannot afford her bride price. It hasn't always been like this. For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. Now he worries that without a "long-leg"--someone who knows someone who can help him--his degrees will do nothing but adorn the walls of his parents' low-rent house. And when a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking. Unconditional family support may be the way in Nigeria, but when Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached. Boniface--aka Cash Daddy--is an exuberant character who suffers from elephantiasis of the pocket. He's also rumored to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise in its shell. It's up to Kingsley now to reconcile his passion for knowledge with his hunger for money, and to fully assume his role of first son. But can he do it without being drawn into this outlandish mileu