Shirley, Goodness & Mercy is a heart-warming, yet compellingly honest story about a young boy growing up in the coloured townships of Newclare, Coronationville and Riverlea during the apartheid era. Despite Van Wyk’s later becoming involved in the struggle, this is not a book about racial politics. Instead, it is a delightful account of one boy’s special relationship with the relatives, friends and neighbours who made up his community, and of the important coping role laughter and humour played during the years he spent in bleak and dusty townships. In Shirley, Goodness & Mercy Chris van Wyk – poet, novelist and short story writer – has created a truly remarkable work, at once both thought-provoking and vastly entertaining. (LIMITED AVAILABILITY)
One of the most important books ever written about our connection to the natural world, GORILLAS IN THE MIST is the riveting account of Dian Fossey's thirteen years in a remote African rain forest with the greatest of the great apes. Fossey's extraordinary efforts to ensure the future of the rain forest and its remaining mountain gorillas are captured in her own words and in candid photographs of this fascinating endangered species. As only she could, Fossey combined her personal adventure story with groundbreaking scientific reporting in an unforgettable portrait of one of our closest primate relatives. Although Fossey's work ended tragically in her murder, GORILLAS IN THE MIST remains an invaluable testament to one of the longest-running field studies of primates and reveals her undying passion for her subject.
King Peggy: An American Secretary, Her Royal Destiny, and the Inspiring Story of How She Changed an African Village (by Peggielene Bartels and Eleanor Herman)
The charming real-life fairy tale of an American secretary who discovers she has been chosen king of an impoverished fishing village on the west coast of Africa. "King Peggy" chronicles the astonishing journey of American secretary, Peggielene Bartels, who suddenly finds herself king to a town of 7,000 people on Ghana's central coast, half a world away. Upon arriving for her crowning ceremony in beautiful Otuam, she discovers the dire reality: there's no running water, no doctor, no high school, and many of the village elders are stealing the town's funds. To make matters worse, her uncle (the late king) sits in a morgue awaiting a proper funeral in the royal palace, which is in ruins. Peggy's first two years as king of Otuam unfold in a way that is stranger than fiction. In the end, a deeply traditional African town is uplifted by the ambitions of its decidedly modern female king, and Peggy is herself transformed, from an ordinary secretary to the heart and hope of her community.
"An affirmation of life and the indestructibility of one man's will to make the most of it."--Ian Wynne, author of "The Pawn" and "Shadows by My Side," former editor of "Human Rights Defender," Amnesty International Born in the midst of the Ethiopian-Eritrean Civil War, Tewodros "Teddy" Fekadu survives abandonment and famine as his family flings him unwanted across borders and regions, into orphanages, and finally onto the streets of Addis Ababa. Spanning five countries and three continents, the Catholic Church, and Japanese detention centers, this is a tale of defiance and triumph, and also of family love--unacknowledged by his wealthy father, abandoned by his desperately poor mother, Teddy is nurtured along the way by staunch individuals despite his ambiguous place in rigid family tradition: his father's mother, a maternal aunt, a Catholic priest, and even his father's wife. In 2003, after three years in a Japanese detention center, Tewodros "Teddy" Fekadu won a hard-fought immigration battle, and his visa to Australia was approved. He now resides on the Gold Coast, where he founded an association that shares African traditions and heritage through performance and educational programs. He also works with organizations to resettle African refugees to the Gold Coast. He is an inspirational speaker, presenting to such diverse audiences as adoptive families, human rights groups, and East African immigrants. Tewodros' company, Moonface Entertainment, produces films and documentaries on East Africa. He regularly returns to Africa to shoot footage for his projects, and travels to the United States to promote his work.
My First Coup D'Etat: And Other True Stories from the Lost Decades of Africa (by John Dramani Mahama)
"My First Coup d'Etat"chronicles the coming-of-age of John Dramani Mahama in Ghana during the dismal post-independence "lost decades" of Africa. He was seven years old when rumors of a coup reached his boarding school in Accra. His father, a minister of state, was imprisoned for more than a year."My First Coup d'Etat "offers an intimate look at the country that has long been considered Africa's success story. This is a one-of-a-kind book: Mahama's is a rare literary voice from a political leader, and his personal stories work on many levels--as history, as cultural and political analysis, as fables, and, of course, as the memoir of a young man who unbeknownstto him or anything else, would grow up to be president of his nation. Though nonfiction, these are stories that rise above their specific settings and transport the reader into a world all their own, one that evokes the universal human emotions of love, fear, faith, despair, loss, longing, and hope despite all else.
The inspirational story of how an African-owned coffee company became a profitable global brand offers an argument for trade as opposed to aid, and a lesson in how Africa can dictate the terms of its future Since it was founded in 2003, Good African Coffee has helped thousands of farmers earn a decent living, send their children to school, and escape a spiral of debt and dependence. Africa has received more than $1 trillion in aid over the last 50 years and yet despite these huge inflows, the continent remains mired in poverty, disease, and systemic corruption. Here, Andrew Rugasira argues that trade has achieved what years of aid failed to deliver, and has provided a tantalizing glimpse of what Africa could be. As he recounts the very personal story of his company and the challenges that he has faced and overcome as an African entrepreneur—from the impossibility of finding capital to discrimination at every step to close calls with lions in the foothills of the Rwenzori mountains—Rugasira discusses the barriers that currently prevent fair and equal trade between Africa and the rest of the world. He sets out the arguments for building a sustainable trade framework and reducing dependency on handouts, and he builds up a manifesto for a revolution in the way that Africa is perceived. (Released Date: September 24, 2013)
“Waiting for the Rains” a memoir of Africa, is the author's account of life during the 1970-80s, and reflects the daily struggle of people all over Africa south of the Sahara and which continues to this day. Whether you want to feel the force of rain or the trauma of a mini-bus journey through one of the largest cities, it is all there. From expatriates, autocratic power regimes, wars of independence to savanna bars, these are all part of the story. The smells and colors leap from the pages.
"From the legendary author of "Things Fall Apart" comes a longawaited memoir about coming of age with a fragile new nation, then watching it torn asunder in a tragic civil war"
The defining experience of Chinua Achebe's life was the Nigerian civil war, also known as the Biafran War, of 1967-1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe's people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war's full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa's most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.
Achebe masterfully relates his experience, bothas he lived it and how he has come to understand it. He begins his story with Nigeria's birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country's promise, which turned to horror when the hot winds of hatred began to stir. To read "There Was a Country" is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers--they should speak for their history, their beliefs, and their people.
Marrying history and memoir, poetry and prose, "There Was a Country "is a distillation of vivid firsthand observation and forty years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe's place as one of the most vital literary and moral voices of our age.
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William Kamkwamba was born in Malawi, a country where magic ruled and modern science was mystery. It was also a land withered by drought and hunger. But William had read about windmills, and he dreamed of building one that would bring to his small village a set of luxuries that only 2 percent of Malawians could enjoy: electricity and running water. His neighbors called him misala—crazy—but William refused to let go of his dreams. With a small pile of once-forgotten science textbooks; some scrap metal, tractor parts, and bicycle halves; and an armory of curiosity and determination, he embarked on a daring plan to forge an unlikely contraption and small miracle that would change the lives around him. The Boy Who Harnessed the Wind is a remarkable true story about human inventiveness and its power to overcome crippling adversity. It will inspire anyone who doubts the power of one individual's ability to change his community and better the lives of those around him.
A passionate witness to the colossal upheaval that has transformed her native South Africa, Gillian Slovo has written a memoir that is far more than a story of her own life. For she is the daughter of Joe Slovo and Ruth First, South Africa's pioneering anti-apartheid white activists, a daughter who always had to come second to political commitment. While recalling the extraordinary events which surrounded her family's persecution and exile, and reconstructing the truth of her parents' relationship and her own turbulent childhood, leading her at one point to a chilling interview with one of the men responsible for her mother's death, Gillian Slovo has reated an astonishing portrait of a courageous, beautiful mother and a father of integrity and stoicism.
Reading like a spy thriller, this biography tells the remarkable story of a young woman’s courage in apartheid-ridden South Africa. As the book opens, in 1963, South Africa is in crisis and the white state is under siege. On August 15, the dreaded security police swoop down on Griggs Bookstore—Durban’s finest literary haunt and a place where African National Congress (ANC) and South African Communist Party comrades frequented to receive or deliver messages and money to advance the cause of the struggle—to arrest Eleanor Kasrils, the manager’s daughter. The police threaten to "break her or hang her" if she does not lead them to her lover, Ronnie Kasrils, who is wanted on suspicion of sabotage for setting off explosions and toppling electricity poles. Though she comes under intense pressure during interrogation, Eleanor has her own secret to conceal. She has been acting as a clandestine agent for the underground ANC, utilizing the books as a means to deliver documents: "If the contact was delivering a document it was handed to her with a book for purchase. Similarly if she had a document that the courier was collecting, it would be hidden within the pages of a book already packaged and handed over as a purchase." Always, the transfer of secret documents could only take place once the recipient whispered a code: "Well, let me take both books." In order to protect her handlers and Ronnie at all costs, she astutely convinces the police that she is on the verge of a nervous breakdown and, still a prisoner, is sent off to a mental hospital in Pietermaritzburg for assessment. It is here that she plots her escape and—pursued by the police—flees with Ronnie into exile.
Like the single white eyelash that graces her row of dark lashes–seen by her people as a mark of good fortune–Halima Bashir’s story stands out. Tears of the Desert is the first memoir ever written by a woman caught up in the war in Darfur. It is a survivor’s tale of a conflicted country, a resilient people, and the uncompromising spirit of a young woman who refused to be silenced. Born into the Zaghawa tribe in the Sudanese desert, Halima was doted on by her father, a cattle herder, and kept in line by her formidable grandmother. A politically astute man, Halima’s father saw to it that his daughter received a good education away from their rural surroundings. Halima excelled in her studies and exams, surpassing even the privileged Arab girls who looked down their noses at the black Africans. With her love of learning and her father’s support, Halima went on to study medicine, and at twenty-four became her village’s first formal doctor. Yet not even the symbol of good luck that dotted her eye could protect her from the encroaching conflict that would consume her land. Janjaweed Arab militias started savagely assaulting the Zaghawa, often with the backing of the Sudanese military. Then, in early 2004, the Janjaweed attacked Bashir’s village and surrounding areas, raping forty-two schoolgirls and their teachers. Bashir, who treated the traumatized victims, some as young as eight years old, could no longer remain quiet. But breaking her silence ignited a horrifying turn of events. In this harrowing and heartbreaking account, Halima Bashir sheds light on the hundreds of thousands of innocent lives being eradicated by what is fast becoming one of the most terrifying genocides of the twenty-first century. Raw and riveting, Tears of the Desert is more than just a memoir–it is Halima Bashir’s global call to action.
This powerful and widely acclaimed autobiography of Magona's early years in South Africa gives an account of her eventful first 23 years--a candid story of triumph and endurance in the face of hardships relentlessly reinforced by the apartheid system.
Namuli, the lead character of this novel, makes her way from an isolated Ugandan village to international recognition. She encounters obstacles, prejudices and uncertainties about her own identity as a student, professional woman and mother. She experiences the enigmas of love, relationships and loss. The novel is based on a true story and aims to give readers an authentic picture of what it was like to live in Uganda from the 1950s through to the 1970s.
At the turn of the century, as the European powers were carving up Africa, King Leopold II of Belgium carried out a brutal plundering of the territory surrounding the Congo river. Ultimately slashing the area's population by ten million, he still managed to shrewdly cultivate his reputation as a great humanitarian. A tale far richer than any novelist could invent, King Leopold's Ghost is the horrifying account of a megalomaniac of monstrous proportions. It is also the deeply moving portrait of those who defied Leopold: African rebel leaders who fought against hopeless odds and a brave handful of missionaries, travelers, and young idealists who went to Africa for work or adventure but unexpectedly found themselves witnesses to a halocaust and participants in the twentieth century's first great human rights movement.
The Nigerian playwright, poet, and novelist recounts his first eleven years growing up under the influence of his parents, traditional Yoruba customs, and Christian missionaries.
The first sub-Saharan African to hold the position of Secretary-General, Annan has led an extraordinary life in his own right. His idealism and personal politics were forged in the Ghanaian independence movement of his adolescence, when all of Africa seemed to be rising as one to demand self-determination. Schooled in Africa, Europe, and the United States, Annan ultimately joined the United Nations in Geneva at the lowest professional level in the still young organization. Annan rose rapidly through the ranks and was by the end of the Cold War prominently placed in the dramatically changing department of peacekeeping operations. His stories of Presidents Clinton and Bush, dictators like Saddam Hussein and Robert Mugabe, and public figures of all stripes contrast powerfully with Annan's descriptions of the courage and decency of ordinary people everywhere struggling for a new and better world. Showing the successes of the United Nations, Annan also reveals the organization's missed opportunities and ongoing challenges--inaction in the Rwanda genocide, continuing violence between Israelis and Palestinians, and the endurance of endemic poverty. Yet Annan's great strength in this book is his ability to embed these tragedies within the context of global politics, demonstrating how, time and again, the nations of the world have retreated from the UN's founding purpose. From the pinnacle of global politics, Annan made it his purpose to put the individual at the center of every mission for peace and prosperity.
A personal biography of global statecraft, Annan's "Interventions" is as much a memoir as a guide to world order--past, present, and future.
he second installment of J. M. Coetzee's fictionalized "memoir" explores a young man's struggle to experience life to its full intensity and transform it into art. The narrator of Youth has long been plotting an escape-from the stifling love of his overbearing mother, a father whose failures haunt him, and what he is sure is impending revolution in his native country of South Africa. Arriving at last in London in the 1960s, however, he finds neither poetry nor romance and instead begins a dark pilgrimage into adulthood. Youth is a remarkable portrait of a consciousness, isolated and adrift, turning in on itself, of a young man struggling to find his way in the world, written with tenderness and a fierce clarity.