Set in the 80s and 90s, in Bulawayo, the story starts with the house next door burning down in a blaze of fire which results in the death of Mrs McKenzie. Ian McKenzie, her stepson is held responsible and imprisoned but released after two years. This is where the fascination begins and Lindiwe Bishop is hypnotised by her white neighbour. The two strike an unusual relationship that will take them on a roller-coaster of emotions. Though Ian did not cast a spell on the impressionable Lindiwe, she is addicted to him.
Welcome to Mannobe, a village with its own personality. It is clear from the onset that Chioma Okereke is a wordsmith, which shines through as her narrative is rich in language. From the sights and sound of Mannobe village, to its exotic taste and colourful characters, with unusual names like Allegory, Jericho, Driver, Guitar and Babylon, Okereke paints a story canvass that pulls you in and makes you want to know each person.
Like so many overly ambitious and simplistic Africans, Isabirye, the play’s central character goes to great length to “buy” for a visa to fly abroad for greener pastures. He sells off most of his assets, in a dubious quest to fly abroad. Excited by his big plans, Isabirye’s family look forward to the pending flow of cash when their father and breadwinner goes overseas. It seems quite obvious to them that when the dollars from Isabirye’s sweat start to flow in, it will provide a vaccine to all their financial problems
Phil Daoust enjoys a salutory lesson in African dictatorships from Ahmadou Kourouma’s Waiting for the Wild Beasts to Vote
The book published in 2008 is a collection of five stories, each told from the perspective of a young child growing up amidst immense challenges. Each of the five stories is set in a different country