World-renowned Kenyan novelist, poet, playwright, and literary critic Ng~ug~y wa Thiong'o gives us the second volume of his memoirs in the wake of his critically acclaimed "Dreams in a Time of War." "In the House of the Interpreter" richly and poignantly evokes the author's life and times at boarding school--the first secondary educational institution in British-ruled Kenya--in the 1950s, against the backdrop of the tumultuous Mau Mau Uprising for independence and Kenyan sovereignty. While Ng~ug~y has been enjoying scouting trips, chess tournaments, and reading about the fictional RAF pilot adventurer Biggles at the prestigious Alliance High School near Nairobi, things have been changing rapidly at home. Poised as he is between two worlds, Ng~ug~y returns home for his first visit since starting school to find his house razed and the entire village moved up the road, closer to a guard checkpoint. Later, his brother Good Wallace, a member of the insurgency, is captured by the British and taken to a concentration camp. As for Ng~ug~y himself, he falls victim to the forces of colonialism in the person of a police officer encountered on a bus journey, and he is thrown into jail for six days. In his second year at Alliance High School, the boarding school that was his haven in a heartless world is shattered by investigations, charges of disloyalty, and the politics of civil unrest. "In the House of the Interpreter" hauntingly describes the formative experiences of a young man who would become a world-class writer and, as a political dissident, a moral compass to us all. It is a winning celebration of the implacable determination of youth and the power of hope.
A Mouth Sweeter Than Salt gathers the stories and reflections of the early years of Toyin Falola, the grand historian of Africa and one of the greatest sons of Ibadan, the notable Yoruba city-state in Nigeria. Redefining the autobiographical genre altogether, Falola miraculously weaves together personal, historical, and communal stories, along with political and cultural developments in the period immediately preceding and following Nigeria's independence, to give us a unique and enduring picture of the Yoruba in the mid-twentieth century. This is truly a literary memoir, told in language rich with proverbs, poetry, song, and humor. Falola's memoir is far more than the story of one man's childhood experiences; rather, he presents us with the riches of an entire culture and community-its history, traditions, pleasures, mysteries, household arrangements, forms of power, struggles, and transformations.
"From the legendary author of "Things Fall Apart" comes a longawaited memoir about coming of age with a fragile new nation, then watching it torn asunder in a tragic civil war"
The defining experience of Chinua Achebe's life was the Nigerian civil war, also known as the Biafran War, of 1967-1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe's people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war's full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa's most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.
Achebe masterfully relates his experience, bothas he lived it and how he has come to understand it. He begins his story with Nigeria's birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country's promise, which turned to horror when the hot winds of hatred began to stir. To read "There Was a Country" is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers--they should speak for their history, their beliefs, and their people.
Marrying history and memoir, poetry and prose, "There Was a Country "is a distillation of vivid firsthand observation and forty years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe's place as one of the most vital literary and moral voices of our age.
My First Coup D'Etat: And Other True Stories from the Lost Decades of Africa (by John Dramani Mahama)
"My First Coup d'Etat"chronicles the coming-of-age of John Dramani Mahama in Ghana during the dismal post-independence "lost decades" of Africa. He was seven years old when rumors of a coup reached his boarding school in Accra. His father, a minister of state, was imprisoned for more than a year."My First Coup d'Etat "offers an intimate look at the country that has long been considered Africa's success story. This is a one-of-a-kind book: Mahama's is a rare literary voice from a political leader, and his personal stories work on many levels--as history, as cultural and political analysis, as fables, and, of course, as the memoir of a young man who unbeknownstto him or anything else, would grow up to be president of his nation. Though nonfiction, these are stories that rise above their specific settings and transport the reader into a world all their own, one that evokes the universal human emotions of love, fear, faith, despair, loss, longing, and hope despite all else.
Like the single white eyelash that graces her row of dark lashes–seen by her people as a mark of good fortune–Halima Bashir’s story stands out. Tears of the Desert is the first memoir ever written by a woman caught up in the war in Darfur. It is a survivor’s tale of a conflicted country, a resilient people, and the uncompromising spirit of a young woman who refused to be silenced. Born into the Zaghawa tribe in the Sudanese desert, Halima was doted on by her father, a cattle herder, and kept in line by her formidable grandmother. A politically astute man, Halima’s father saw to it that his daughter received a good education away from their rural surroundings. Halima excelled in her studies and exams, surpassing even the privileged Arab girls who looked down their noses at the black Africans. With her love of learning and her father’s support, Halima went on to study medicine, and at twenty-four became her village’s first formal doctor. Yet not even the symbol of good luck that dotted her eye could protect her from the encroaching conflict that would consume her land. Janjaweed Arab militias started savagely assaulting the Zaghawa, often with the backing of the Sudanese military. Then, in early 2004, the Janjaweed attacked Bashir’s village and surrounding areas, raping forty-two schoolgirls and their teachers. Bashir, who treated the traumatized victims, some as young as eight years old, could no longer remain quiet. But breaking her silence ignited a horrifying turn of events. In this harrowing and heartbreaking account, Halima Bashir sheds light on the hundreds of thousands of innocent lives being eradicated by what is fast becoming one of the most terrifying genocides of the twenty-first century. Raw and riveting, Tears of the Desert is more than just a memoir–it is Halima Bashir’s global call to action.
“Waiting for the Rains” a memoir of Africa, is the author's account of life during the 1970-80s, and reflects the daily struggle of people all over Africa south of the Sahara and which continues to this day. Whether you want to feel the force of rain or the trauma of a mini-bus journey through one of the largest cities, it is all there. From expatriates, autocratic power regimes, wars of independence to savanna bars, these are all part of the story. The smells and colors leap from the pages.
An irresistible and heart-warming child's-eye view novel set in Africa -- Michel is ten years old, living in Pointe Noire, Congo, in the 1970s. His mother sells peanuts at the market, his father works at the Victory Palace Hotel, and brings home books left behind by the white guests. Planes cross the sky overhead, and Michel and his friend Lounès dream about the countries where they'll land.While news comes over the radio of the American hostage crisis in Tehran, the death of the Shah, the scandal of the Boukassa diamonds, Michel struggles with the demands of his twelve year old girlfriend Caroline, who threatens to leave him for a bully in the football team. But most worrying forMichel, the witch doctor has told his mother that he has hidden the key to her womb, and must return it before she can have another child. Somehow he must find it.TomorrowI'll Be Twentyis a humorous and poignant account of an African childhood, drawn from Alain Mabanckou's life.
The first sub-Saharan African to hold the position of Secretary-General, Annan has led an extraordinary life in his own right. His idealism and personal politics were forged in the Ghanaian independence movement of his adolescence, when all of Africa seemed to be rising as one to demand self-determination. Schooled in Africa, Europe, and the United States, Annan ultimately joined the United Nations in Geneva at the lowest professional level in the still young organization. Annan rose rapidly through the ranks and was by the end of the Cold War prominently placed in the dramatically changing department of peacekeeping operations. His stories of Presidents Clinton and Bush, dictators like Saddam Hussein and Robert Mugabe, and public figures of all stripes contrast powerfully with Annan's descriptions of the courage and decency of ordinary people everywhere struggling for a new and better world. Showing the successes of the United Nations, Annan also reveals the organization's missed opportunities and ongoing challenges--inaction in the Rwanda genocide, continuing violence between Israelis and Palestinians, and the endurance of endemic poverty. Yet Annan's great strength in this book is his ability to embed these tragedies within the context of global politics, demonstrating how, time and again, the nations of the world have retreated from the UN's founding purpose. From the pinnacle of global politics, Annan made it his purpose to put the individual at the center of every mission for peace and prosperity.
A personal biography of global statecraft, Annan's "Interventions" is as much a memoir as a guide to world order--past, present, and future.
Just before 3am on January 24th, 1941, when Britain was preoccupied with surviving the Blitz, the body of Josslyn Hay, Earl of Erroll, was discovered lying on the floor of his Buick, at a road intersection some miles outside Nairobi, with a bullet in his head. A leading figure in Kenya's colonial community he had recently been appointed Military Secretary, but he was primarily a seducer of other men's wives. Sir Henry Delves Broughton, whose wife was Erroll's current conquest, had an obvious motive for the murder, but no one was ever convicted and the question of who killed him became a classic mystery, a scandel and cause celebre. Among those who became fascinated with the Erroll case was Cyril connolly. He joined up with James fox for a major investigation of the case in 1969 for the SUNDAY TIMES magazine. After his death James Fox inherited the obsession and a commitment to continue in pursuit of the story both in England and Kenya in the late 1970s. One day, on a veranda overlooking the Indian Ocean, Fox came across a piece of evidence that seemed to bring all the fragments and pieces together and convinced him that he saw a complete picture.
Zakes Mda is the most acclaimed South African writer of the independence era. His eight novels tell stories that venture far beyond the conventional narratives of a people’s struggle against apartheid. In this memoir, he tells the story of a life that intersects with the political life of his country but that at its heart is the classic adventure story of an artist, lover, father, teacher, and bon vivant. Zanemvula Mda was born in 1948 into a family of lawyers and grew up in Soweto’s ambitious educated black class. At age fifteen he crossed the Telle River from South Africa into Basutoland (Lesotho), exiled like his father, a “founding spirit” of the Pan Africanist Congress. Exile was hard, but it was just another chapter in Mda’s coming-of-age. He served as an altar boy (and was preyed on by priests), flirted with shebeen girls, feared the racist Boers, read comic books alongside the literature of the PAC, fell for the music of Dvorák and Coltrane, wrote his first stories—and felt the void at the heart of things that makes him an outsider wherever he goes. The Soweto uprisings called him to politics; playwriting brought him back to South Africa, where he became writer in residence at the famed Market Theatre; three marriages led him hither and yon; acclaim brought him to America, where he began writing the novels that are so thick with the life of his country. In all this, Mda struggled to remain his own man, and with Sometimes There Is a Void he shows that independence opened the way for the stories of individual South Africans in all their variety.
A Daughter's Legacy is the story of Kedibone's journey from childhood to parenthood, from the dusty streets of her home village to the modern worlds of university and working life. Determination and resilience battle with fear and insecurity in Kedibone's searing engagement with relationships and personal growth. This novel is a bold and necessary statement that exposes the taboos and abuse that a male-dominated culture allows, if not engenders. It breaks the silence and connivance in a way that has never been done before.
Nelson Mandela: By Himself is the definitive book of quotations from one of the great leaders of our time. This collection - gathered from privileged authorised access to Mandela's vast personal archive of private papers, speeches, correspondence and audio recordings - features nearly 2,000 quotations spanning over 60 years, many previously unpublished. Mandela's inspirational quotations are organised into over 300 categories for easy reference, including such aspects as what defines greatness in 'Character', 'Courage' and 'Optimism', while we learn from the great man the essence of democracy, freedom and struggle in the categories 'Democracy', 'History', 'Racism', 'Reconciliation' and 'Unity'. Nelson Mandela: By Himself is the first, and only, authorised and authenticated collection of quotations by one of the world's most admired individuals.
Namuli, the lead character of this novel, makes her way from an isolated Ugandan village to international recognition. She encounters obstacles, prejudices and uncertainties about her own identity as a student, professional woman and mother. She experiences the enigmas of love, relationships and loss. The novel is based on a true story and aims to give readers an authentic picture of what it was like to live in Uganda from the 1950s through to the 1970s.
The inspirational story of how an African-owned coffee company became a profitable global brand offers an argument for trade as opposed to aid, and a lesson in how Africa can dictate the terms of its future Since it was founded in 2003, Good African Coffee has helped thousands of farmers earn a decent living, send their children to school, and escape a spiral of debt and dependence. Africa has received more than $1 trillion in aid over the last 50 years and yet despite these huge inflows, the continent remains mired in poverty, disease, and systemic corruption. Here, Andrew Rugasira argues that trade has achieved what years of aid failed to deliver, and has provided a tantalizing glimpse of what Africa could be. As he recounts the very personal story of his company and the challenges that he has faced and overcome as an African entrepreneur—from the impossibility of finding capital to discrimination at every step to close calls with lions in the foothills of the Rwenzori mountains—Rugasira discusses the barriers that currently prevent fair and equal trade between Africa and the rest of the world. He sets out the arguments for building a sustainable trade framework and reducing dependency on handouts, and he builds up a manifesto for a revolution in the way that Africa is perceived. (Released Date: September 24, 2013)
"An affirmation of life and the indestructibility of one man's will to make the most of it."--Ian Wynne, author of "The Pawn" and "Shadows by My Side," former editor of "Human Rights Defender," Amnesty International Born in the midst of the Ethiopian-Eritrean Civil War, Tewodros "Teddy" Fekadu survives abandonment and famine as his family flings him unwanted across borders and regions, into orphanages, and finally onto the streets of Addis Ababa. Spanning five countries and three continents, the Catholic Church, and Japanese detention centers, this is a tale of defiance and triumph, and also of family love--unacknowledged by his wealthy father, abandoned by his desperately poor mother, Teddy is nurtured along the way by staunch individuals despite his ambiguous place in rigid family tradition: his father's mother, a maternal aunt, a Catholic priest, and even his father's wife. In 2003, after three years in a Japanese detention center, Tewodros "Teddy" Fekadu won a hard-fought immigration battle, and his visa to Australia was approved. He now resides on the Gold Coast, where he founded an association that shares African traditions and heritage through performance and educational programs. He also works with organizations to resettle African refugees to the Gold Coast. He is an inspirational speaker, presenting to such diverse audiences as adoptive families, human rights groups, and East African immigrants. Tewodros' company, Moonface Entertainment, produces films and documentaries on East Africa. He regularly returns to Africa to shoot footage for his projects, and travels to the United States to promote his work.
This is how wars are fought now: by children, hopped-up on drugs and wielding AK-47s. Children have become soldiers of choice. In the more than fifty conflicts going on worldwide, it is estimated that there are some 300,000 child soldiers. Ishmael Beah used to be one of them. What is war like through the eyes of a child soldier? How does one become a killer? How does one stop? Child soldiers have been profiled by journalists, and novelists have struggled to imagine their lives. But until now, there has not been a first-person account from someone who came through this hell and survived. In A Long Way Gone, Beah, now twenty-five years old, tells a riveting story: how at the age of twelve, he fled attacking rebels and wandered a land rendered unrecognizable by violence. By thirteen, he'd been picked up by the government army, and Beah, at heart a gentle boy, found that he was capable of truly terrible acts. This is a rare and mesmerizing account, told with real literary force and heartbreaking honesty.
A young man's quest to reconcile his deafness in an unforgiving world leads to a remarkable sojourn in a remote African village that pulsates with beauty and violence These are hearing aids. They take the sounds of the world and amplify them." Josh Swiller recited this speech to himself on the day he arrived in Mununga, a dusty village on the shores of Lake Mweru. Deaf since a young age, Swiller spent his formative years in frustrated limbo on the sidelines of the hearing world, encouraged by his family to use lipreading and the strident approximations of hearing aids to blend in. It didn't work. So he decided to ditch the well-trodden path after college, setting out to find a place so far removed that his deafness would become irrelevant. That place turned out to be Zambia, where Swiller worked as a Peace Corps volunteer for two years. There he would encounter a world where violence, disease, and poverty were the mundane facts of life. But despite the culture shock, Swiller finally commanded attention--everyone always listened carefully to the white man, even if they didn't always follow his instruction. Spending his days working in the health clinic with Augustine Jere, a chubby, world-weary chess aficionado and a steadfast friend, Swiller had finally found, he believed, a place where his deafness didn't interfere, a place he could call home. Until, that is, a nightmarish incident blasted away his newfound convictions. At once a poignant account of friendship through adversity, a hilarious comedy of errors, and a gripping narrative of escalating violence, The Unheard is an unforgettable story from a noteworthy new talent.
A passionate witness to the colossal upheaval that has transformed her native South Africa, Gillian Slovo has written a memoir that is far more than a story of her own life. For she is the daughter of Joe Slovo and Ruth First, South Africa's pioneering anti-apartheid white activists, a daughter who always had to come second to political commitment. While recalling the extraordinary events which surrounded her family's persecution and exile, and reconstructing the truth of her parents' relationship and her own turbulent childhood, leading her at one point to a chilling interview with one of the men responsible for her mother's death, Gillian Slovo has reated an astonishing portrait of a courageous, beautiful mother and a father of integrity and stoicism.