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William Kamkwamba was born in Malawi, a country where magic ruled and modern science was mystery. It was also a land withered by drought and hunger. But William had read about windmills, and he dreamed of building one that would bring to his small village a set of luxuries that only 2 percent of Malawians could enjoy: electricity and running water. His neighbors called him misala—crazy—but William refused to let go of his dreams. With a small pile of once-forgotten science textbooks; some scrap metal, tractor parts, and bicycle halves; and an armory of curiosity and determination, he embarked on a daring plan to forge an unlikely contraption and small miracle that would change the lives around him. The Boy Who Harnessed the Wind is a remarkable true story about human inventiveness and its power to overcome crippling adversity. It will inspire anyone who doubts the power of one individual's ability to change his community and better the lives of those around him.
In her fiction debut, Doreen Baingana follows a Ugandan girl as she navigates the uncertain terrain of adolescence. Set mostly in pastoral Entebbe with stops in the cities Kampala and Los Angeles, "Tropical Fish" depicts the reality of life for Christine Mugisha and her family after Idi Amin's dictatorship. Three of the eight chapters are told from the point of view of Christine's two older sisters, Patti, a born-again Christian who finds herself starving at her boarding school, and Rosa, a free spirit who tries to "magically" seduce one of her teachers. But the star of "Tropical Fish "is Christine, whom we accompany from her first wobbly steps in high heels, to her encounters with the first-world conveniences and alienation of America, to her return home to Uganda. As the Mugishas cope with Uganda's collapsing infrastructure, they also contend with the universal themes of family cohesion, sex and relationships, disease, betrayal, and spirituality. Anyone dipping into Baingana's incandescent, widely acclaimed novel will enjoy their immersion in the world of this talented newcomer.
"AfroSF" is the first ever anthology of Science Fiction by African writers only that was open to submissions from across Africa and abroad. It is comprised of original (previously unpublished) works only, from stellar established and upcoming African writers: Nnedi Okorafor, Sarah Lotz, Tendai Huchu, Cristy Zinn, Ashley Jacobs, Nick Wood, Tade Thompson, S.A. Partridge, Chinelo Onwualu, Uko Bendi Udo, Dave de Burgh, Biram Mboob, Sally-Ann Murray, Mandisi Nkomo, Liam Kruger, Chiagozie Fred Nwonwu, Joan De La Haye, Mia Arderne, Rafeeat Aliyu, Martin Stokes, Clifton Gachagua, and Efe Okogu.
Fifteen-year-old Kambili's world is circumscribed by the high walls and frangipani trees of her family compound. Her wealthy Catholic father, under whose shadow Kambili lives, while generous and politically active in the community, is repressive and fanatically religious at home. When Nigeria begins to fall apart under a military coup, Kambili's father sends her and her brother away to stay with their aunt, a University professor, whose house is noisy and full of laughter. There, Kambili and her brother discover a life and love beyond the confines of their father's authority. The visit will lift the silence from their world and, in time, give rise to devotion and defiance that reveal themselves in profound and unexpected ways. This is a book about the promise of freedom; about the blurred lines between childhood and adulthood; between love and hatred, between the old gods and the new.
The Great Cake Mystery: Precious Ramotswe's Very First Case: A Number 1 Ladies' Detective Agency Book for Young Readers
Have you ever said to yourself, "Wouldn't it be nice to be a detective?" This is the story of an African girl who says just that. Her name is Precious. When a piece of cake goes missing from her classroom, a traditionally built young boy is tagged as the culprit. Precious, however, is not convinced. She sets out to find the real thief. Along the way she learns that your first guess isn't always right. She also learns how to be a detective. (recommended for ages 7to 9)
The Looting Machine: Warlords, Oligarchs, Corporations, Smugglers, and the Theft of Africa's Wealth (by Tom Burgis)
The trade in oil, gas, gems, metals and rare earth minerals wreaks havoc in Africa. During the years when Brazil, India, China and the other “emerging markets” have transformed their economies, Africa’s resource states remained tethered to the bottom of the industrial supply chain. While Africa accounts for about 30 per cent of the world’s reserves of hydrocarbons and minerals and 14 per cent of the world’s population, its share of global manufacturing stood in 2011 exactly where it stood in 2000: at 1 percent. In his first book, The Looting Machine, Tom Burgis exposes the truth about the African development miracle: for the resource states, it's a mirage. The oil, copper, diamonds, gold and coltan deposits attract a global network of traders, bankers, corporate extractors and investors who combine with venal political cabals to loot the states' value. And the vagaries of resource-dependent economies could pitch Africa’s new middle class back into destitution just as quickly as they climbed out of it. The ground beneath their feet is as precarious as a Congolese mine shaft; their prosperity could spill away like crude from a busted pipeline. This catastrophic social disintegration is not merely a continuation of Africa’s past as a colonial victim. The looting now is accelerating as never before. As global demand for Africa’s resources rises, a handful of Africans are becoming legitimately rich but the vast majority, like the continent as a whole, is being fleeced. Outsiders tend to think of Africa as a great drain of philanthropy. But look more closely at the resource industry and the relationship between Africa and the rest of the world looks rather different. In 2010, fuel and mineral exports from Africa were worth $333 billion, more than seven times the value of the aid that went in the opposite direction. But who received the money? For every Frenchwoman who dies in childbirth, 100 die in Niger alone, the former French colony whose uranium fuels France’s nuclear reactors. In petro-states like Angola three-quarters of government revenue comes from oil. The government is not funded by the people, and as result it is not beholden to them. A score of African countries whose economies depend on resources are rentier states; their people are largely serfs. The resource curse is not merely some unfortunate economic phenomenon, the product of an intangible force. What is happening in Africa’s resource states is systematic looting. Like its victims, its beneficiaries have names.
“Waiting for the Rains” a memoir of Africa, is the author's account of life during the 1970-80s, and reflects the daily struggle of people all over Africa south of the Sahara and which continues to this day. Whether you want to feel the force of rain or the trauma of a mini-bus journey through one of the largest cities, it is all there. From expatriates, autocratic power regimes, wars of independence to savanna bars, these are all part of the story. The smells and colors leap from the pages.
"From the legendary author of "Things Fall Apart" comes a longawaited memoir about coming of age with a fragile new nation, then watching it torn asunder in a tragic civil war"
The defining experience of Chinua Achebe's life was the Nigerian civil war, also known as the Biafran War, of 1967-1970. The conflict was infamous for its savage impact on the Biafran people, Chinua Achebe's people, many of whom were starved to death after the Nigerian government blockaded their borders. By then, Chinua Achebe was already a world-renowned novelist, with a young family to protect. He took the Biafran side in the conflict and served his government as a roving cultural ambassador, from which vantage he absorbed the war's full horror. Immediately after, Achebe took refuge in an academic post in the United States, and for more than forty years he has maintained a considered silence on the events of those terrible years, addressing them only obliquely through his poetry. Now, decades in the making, comes a towering reckoning with one of modern Africa's most fateful events, from a writer whose words and courage have left an enduring stamp on world literature.
Achebe masterfully relates his experience, bothas he lived it and how he has come to understand it. He begins his story with Nigeria's birth pangs and the story of his own upbringing as a man and as a writer so that we might come to understand the country's promise, which turned to horror when the hot winds of hatred began to stir. To read "There Was a Country" is to be powerfully reminded that artists have a particular obligation, especially during a time of war. All writers, Achebe argues, should be committed writers--they should speak for their history, their beliefs, and their people.
Marrying history and memoir, poetry and prose, "There Was a Country "is a distillation of vivid firsthand observation and forty years of research and reflection. Wise, humane, and authoritative, it will stand as definitive and reinforce Achebe's place as one of the most vital literary and moral voices of our age.
Ten-year-old Akimbo lives on a game preserve in Africa. His father is the head ranger, and Akimbo is eager to help him whenever he can--even if it means getting into some pretty dangerous situations. In "Akimbo and the Lions," Akimbo helps his father set a trap for a lioness that has been attacking cattle on nearby farms. But when the lion they catch turns out to be a cub, Akimbo must find a way to care for the young lion until it's old enough to be released in the wild.
SPIRITED AND INTELLIGENT, MORAYO grows up surrounded by school friends and family in busy, modern-day Ibadan. An adoring little sister, their traditional parents, and a host of aunties and cousins make Morayo's home their own. So there's nothing unusual about her charming but troubled cousin Bros T moving in with the family. At first Morayo and her sister are delighted, but in her innocence, nothing prepares Morayo for the shameful secret Bros T forces upon her. Thrust into a web of oppressive silence woven by the adults around her, Morayo must learn to protect herself and her sister from a legacy of silence shared by the women in her family. Only her Aunt Morenike provides Morayo with a safe home and a sense of female community that sustains her as she develops into a young woman in bustling, politically charged, often violent Nigeria. BOOK AVAILABLE JANUARY 29, 2013 - PRE-ORDER NOW.
After the brutal, random murder of his cousin, Kevin Bloom was left with shock, grief, and anger--and one burning question: "Why stay in South Africa?" As a journalist, Kevin Bloom had witnessed and reported on the rising tide of violence in post-Apartheid South Africa. But when his own cousin was killed in a vicious random attack, the questions he'd been asking about the troubling political and social changes in his country took on a sickeningly personal urgency. Suddenly, it felt as though this South Africa was no longer the place he'd grown up in or the place which felt like home. Still stunned by the loss, Bloom begins to trace the path of violence from the murder of his cousin in the hills of Zululand to the fatal shooting of the historian David Rattray, linking these individual crimes to the riven political landscape, and the riots and xenophobic attacks of 2008. Visceral, complicated, and compassionate, "Ways of Staying" is an eloquent account of how the white community is coping with black majority rule, and in particular how one family is coping in the aftermath of their own private tragedy.
hortly after his arrival in Uganda, Scottish doctor Nicholas Garrigan is called to the scene of a bizarre accident: Idi Amin, careening down a dirt road in his red Maserati, has run over a cow. When Garrigan tends to Amin, the dictator, in his obsession for all things Scottish, appoints him as his personal physician. And so begins a fateful dalliance with the central African leader whose Emperor Jones-style autocracy would transform into a reign of terror. In The Last King of Scotland Foden's Amin is as ridiculous as he is abhorrent: a grown man who must be burped like an infant, a self-proclaimed cannibalist who, at the end of his 8 years in power, would be responsible for 300,000 deaths. And as Garrigan awakens to his patient's baroque barbarism--and his own complicity in it--we enter a venturesome meditation on conscience, charisma, and the slow corruption of the human heart. Brilliantly written, comic and profound, The Last King of Scotland announces a major new talent.
A powerful story of a modern Nigerian girl who rebels against traditional marriage customs, written by Buchi Emecheta. Born of Ibo parents, Buchi Emecheta is widely known for her multi-layered stories of black women struggling to maintain their identity and construct viable lives for themselves and their families. She writes, according to The New York Times, with "subtlety, power, and abundant compassion". George Braziller is proud to have published nine of Emecheta's novels over the course of twenty-four years.
Following the success of the acclaimed "Ghost Train to the Eastern Star" and "The Great Railway Bazaar," "The Last Train to Zona Verde" is an ode to the last African journey of the world's most celebrated travel writer. "Happy again, back in the kingdom of light," writes Paul Theroux as he sets out on a new journey through the continent he knows and loves best. Theroux first came to Africa as a twenty-two-year-old Peace Corps volunteer, and the pull of the vast land never left him. Now he returns, after fifty years on the road, to explore the little-traveled territory of western Africa and to take stock both of the place and of himself. His odyssey takes him northward from Cape Town, through South Africa and Namibia, then on into Angola, wishing to head farther still until he reaches the end of the line. Journeying alone through the greenest continent, Theroux encounters a world increasingly removed from both the itineraries of tourists and the hopes of postcolonial independence movements. Leaving the Cape Town townships, traversing the Namibian bush, passing the browsing cattle of the great sunbaked heartland of the savanna, Theroux crosses "the Red Line" into a different Africa: "the improvised, slapped-together Africa of tumbled fences and cooking fires, of mud and thatch," of heat and poverty, and of roadblocks, mobs, and anarchy. After 2,500 arduous miles, he comes to the end of his journey in more ways than one, a decision he chronicles with typically unsparing honesty in a chapter called "What Am I Doing Here?" Vivid, witty, and beautifully evocative, "The Last Train to Zona Verde" is a fitting final African adventure from the writer whose gimlet eye and effortless prose have brought the world to generations of readers.
Bafana Kuzwayo is a young man with a weight on his shoulders. After flunking his law studies at the University of Cape Town, he returns home to Soweto, where he must decide how to break the news to his family. But before he can confess, he is greeted as a hero by family and friends. His uncle calls him "Advo," short for Advocate, and his mother wastes no time recruiting him to solve their legal problems. In a community that thrives on imagined realities, Bafana decides that it's easiest to create a lie that allows him to put off the truth indefinitely. Soon he's in business with Yomi, a Nigerian friend who promises to help him solve all his problems by purchasing a fake graduation document. One lie leads to another as Bafana navigates through a world that readers will find both funny and grim.
A long time ago on the African Plains, when the earth was flat and the sun never set, a terrible drought threatened the lives of the animals that lived there. Lion, king of the animals, is a wise leader and calls all the animals to an emergency meeting to see what can be done. First he sends cheetah, the fastest of the animals, and then elephant, the largest of the animals, to find water. But both fail. Finally, lion calls on crane. Crane devises a plan, and along with all the other Ugandan cranes, they fly into the sky to peck at the rain-filled clouds high above the mountains. Water flows from the clouds and into the lake below. Crane is awarded a crown for saving all the animals. Today, the crowned crane is Uganda's national emblem and can be seen in the center of the Ugandan flag. And that is How the Crane Got Its Crown. Olivia Nakiingi Infield wrote this book when she was twelve. Now a high school student, she lives in Kampala, Uganda. "The characters in my book are based on my trips to various National Parks in Uganda." She hopes her lovingly illustrated story will encourage people of all ages to appreciate the animals of the plains.
A frighteningly persuasive, high-tech fable, this novel follows the lives of four narrators living in an alternative futuristic Cape Town, South Africa. An art-school dropout, and AIDS baby, a tech-activist and an RPG-obsessed blogger live in a world where your online identity is at least as important as your physical one. Getting disconnected is a punishment worse than imprisonment, but someone's got to stand up to Government Inc. - whatever the cost. Taking hedonistic trends in society to their ultimate conclusions, this tale paints anything but a forecasted utopia, satirically undermining the reified idea of progress as society's white knight.
Continuing the story of al-Sayyid Ahmad and his family, this is a fascinating look at Egypt in the 1920s. Increased personal freedoms mix tenuously with traditions of family control, as two of Ahmad's sons court alluring women. "Palace of Desire "is the second novel in Nobel Prize-winner Naguib Mahfouz's magnificent Cairo Trilogy, an epic family saga of colonial Egypt that is considered his masterwork. The novels of the Cairo Trilogy trace three generations of the family of tyrannical patriarch al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. In "Palace of Desire," his rebellious children struggle to move beyond his domination, as the world around them opens to the currents of modernity and political and domestic turmoil brought by the 1920s.